There are a bewildering variety of claims connecting Darwin to nineteenth-century philosophy of science—including to Herschel, Whewell, Lyell, German Romanticism, Comte, and others. I argue here that Herschel’s influence on Darwin is undeniable. The form of this influence, however, is often misunderstood. Darwin was not merely taking the concept of “analogy” from Herschel, nor was he combining such an analogy with a consilience as argued for by Whewell. On the contrary, Darwin’s Origin is written in precisely the manner that one (...) would expect were Darwin attempting to model his work on the precepts found in Herschel’s Preliminary Discourse on Natural Science. While Hodge has worked out a careful interpretation of both Darwin and Herschel, drawing similar conclusions, his interpretation misreads Herschel’s use of the vera causa principle and the verification of hypotheses. The new reading that I present here resolves this trouble, combining Hodge’s careful treatment of the structure of the Origin with a more cautious understanding of Herschel’s philosophy of science. This interpretation lets us understand why Darwin laid out the Origin in the way that he did and also why Herschel so strongly disagreed, including in Herschel’s heretofore unanalyzed marginalia in his copy of Darwin’s book. (shrink)

This paper is about the work of a long forgotten philosopher and his views which have surprising relevance to discussions in present-day philosophy of mind and cognitive science. I argue that, far from being a traditional idealist, Mitchell advanced a very subtle position best seen as marking a transition from idealist views and later materialist accounts, the latter popularly attributed to Australian philosophers in the second half of the 20th century.

In this essay, I discuss in detail two of the earliest such documentaries: Death Mills (1945), directed by Billy Wilder; and Nazi Concentration Camps (1945), directed by George Stevens. Both film-makers were able to get direct footage of the newly-liberated concentration camps from the U.S. Army. Wilder served as a Colonel in the U.S. Army’s Psychological Warfare department in 1945 and was tasked with producing a documentary on the death camps as well as helping to restart Germany’s film industry. I (...) next review the great French Holocaust documentary Night and Fog (1955), directed by Alain Resnais. This was a widely acclaimed film, winning the Prix Jean Vigo in 1956. Resnais employed a camp survivor (Jean Cayrol) to write the dialogue, and it is powerful, indeed, truly lyrical in places. The last film I review in the essay is a generally overlooked British Thames Television documentary, Genocide: 1941-1945 (1974), directed by Michael Darlow (and narrated by Sir Laurence Oliver). It was the first of the major Holocaust documentaries to focus on the point that the Nazi genocide targeted first and foremost the Jewish people, and to explore the development of Nazi racial theory, and the rise of the SS. (shrink)

Can We Ever See a Chair in its Totality? Synopsis of Chapter Submitted -/- Ayad Gharbawi 2023 Submission - Philosophy – Can we ever see a chair in its totality? Key Words: Metaphysics; Vision; Mind; Unity of Vision; Limitations of Man’s Perception. Word Count: 3,036 Words. Dear Sir/Madam; I hope this email finds you well. -/- My book represents a fundamental break from the conventional methodologies of psychology as it aims to be far more precise in describing the attributes of (...) the various ‘bits’ of the mind, such as – memories, vision, scent, sounds, thoughts, dreams and so on, which, in their turn, as stated, are equivalent to some sub-atomic particle quantum laws. Ultimately the book defines with strict specificity what the ‘I’, the ‘Self’ is in light of the multitudes of attributes of the parts that ultimately compose our mind, or our personality, both directly and indirectly [in other words our public and private ‘faces.’] As per this specific manuscript, I am sending you one chapter from my book – Can we ever see the ‘total’ vision of an object, say, a chair in its totality? -/- In this particular article, we note evidence that no observer can ever see the totality of any observed object because of the infinite number of variables that render it impossible for any human being to see the totality of a chair or of any perceived entity. -/- These ‘variables’ are listed in our manuscript – such as being stationary or not; optical accuracy; the angle from which the observer views the chair; the distance from which the observer views the chair; the fact that no human can see the chair from every position and angle and if the observer is not stationary and/or the chair is not stationary, those variables will also change the image of the perceived entity. -/- These variables are infinite in number which leads one to the conclusion that no perceived entity can ever be seen in its entirety given the innumerable and infinite factors that strictly govern and enforce the limitations of the vision of the observing agent in question. -/- That is of course but one mere fraction of the limitations that the observing agent has to accept. -/- Hence there is no totality of vision as per any object. No entity can ever be seen or ‘known’ in its entirety. -/- The ‘unity’ and reality of any vision of any phenomena and/or object is therefore impossible and that is one more cause why defining ‘reality’ is such a difficult if not an impossible task. -/- Thus, when we ask, ‘What does a chair look like?’ the answer is meaningless. -/- And what are the implications? -/- 1. Reality cannot be defined in any wholesome, unified manner. 2. Even though on a day-to-day basis we believe we know our minds and we see our environments, in truth, humans are severely restricted and limited to what they can know and see in their minds and their surroundings. 3. All we know and see as per our minds and our surroundings are changing discrete quantized snippets and slivers of so-called ‘reality’ – and I put the latter in those terms because reality is not and cannot be a unified, whole entity in any way and in any circumstance. -/- . (shrink)

This article argues that the hypothetical 'I Can' position of Sir David Ross is incompatible with his determinism.

Sir Roger Penrose and prof. Stuart Hameroff had substantiated a theory that a human brain performs quantum computations. Logically, a question comes what information does then the brain compute and what is the result of such a quantum computing? To answer this, it is tempting to exploit isomorphism between complex hermitian 2 × 2 matrices and R4, more specifically a real vector representation of qubit states. P Arrighi proposed that "qubit states may be viewed as spatio-temporal objects, or indeed as (...) four-vectors of a Minkowski space-time." Under Orch OR theory assumptions, a very large number of entangled qubits is involved in a massive and highly complex computing task. What does this gigantic quantum computing machinery produce as the final outcome of its coordinated computations? The answer is obvious - it is the physical world as we see it, or the so called an external, to the human brain, reality (Minkowski space). Accordingly, underlying Orch OR brain computing concept is a mathematical connection between a qubit (qm) and relativity (Minkowski space). It is a connection between our mind, or the consciousness, and a physical reality the way we see it as the result of quantum computations of our brain. Does this mean that a physical reality as we see it, is being internally quantum computed and represented to us as a Minkowski space? That is, can a physical classical world be viewed as the result of our internal measurement leading to collapse of the quantum computed wave function? This abstract omits this question as irrelevant to the subject matter of a paper. The most important question is the aforementioned mathematical connection between quantum mechanics and relativity, it is a foundation which proves that Orch OR theory is correct. I propose that enormous quantum computing power in human brain does produce the Minkowski space, a representation of the physical reality. Mathematically, it is done by integrating, or encoding, the information about external physical world, into a qubit wave function vectors. I believe that probability distribution functions of pairs of fermions and bosons serve as the hidden variables encoding information about external world, into a qubit wave function vectors. They are hidden for two reasons. First is that these variables are not obvious as an intrinsic part of a qubit equation defining human brain quantum computing. Traditional way of thinking does not easily accommodate these variables into a qubit equation. The second reason they are hidden is because Einstein was desperately looking for them to make quantum mechanics complete. Simply, Sir Roger Penrose and prof. Stuart Hameroff had made a breakthrough that will have a very far reaching implications, including but not limited to Einstein hidden variables discovery. Quantum mechanics and relativity can be easily unified should indeed these variables be encoded into qubit as the carriers of information of the classical physical world. (shrink)

Contents Preface - ix -/- I. Scientific fiction movies: is there any place for God?! 1. A brief introduction about the birth of science fiction - 15 2. Religious beliefs vs Science Fiction - 18 3. Is there any place for God?! - 20 -/- II. The Village (M. Night Shyamalan) and The Giver (Phillip Noyce) or why utopia is (im)possible 1. Some utopian notions. Remembering Thomas More - 29 2. The Village and The Giver. Some remarks on ideal societies (...) - 34 3. Notes about the possible and impossible of utopia - 39 -/- III. The limits of Zombies films are the limits of philosophy? 1. Are zombies real? From folklore to films - 46 2. The mind-body problem and the empty-minded zombies? - 54 3. The fallacy of the question. Zombies films and philosophy with no limit - 61 -/- IV. Lucy - why the brain cannot be a screen 1. Lucy and some other movies - The ten percent of the brain myth - 67 2. The enhancement of humanity -The pos-humanism after Nietzsche – 71 3. About the mind and the brain. Lucy or why the brain cannot be a screen – 74 -/- V. Viktor Navorski and Sir Alfred: the limits of consciousness at the border of chaos 1. About the terminal, Locke and Lipovetsky - 83 2. Being someone at a non-place - 87 3. Reality vs fiction. Merhan Karimi Nasseri as Sir Alfred - 89 -/- VI. Alienation and slavery from Precious or what we do not want to see 1. Cinema as a moment or the exclusive experience of feeling cinema - 97 2. Two movies, only one reality - 101 3. To conclude: the paradox of precious silence or what we don't want to see - 104 -/- VII. Philosophy of time and being in Alice through the looking glass 1. Some initial considerations on Alice - 113 2. The impossible and the possible in Alice’s time - 116 3. About time and subjectivity and subjectivity in time – 120 -/- References - cxxv. (shrink)

An astonishing volume and diversity of evidence is available for many hypotheses in the biomedical and social sciences. Some of this evidence—usually from randomized controlled trials (RCTs)—is amalgamated by meta-analysis. Despite the ongoing debate regarding whether or not RCTs are the ‘gold-standard’ of evidence, it is usually meta-analysis which is considered the best source of evidence: meta-analysis is thought by many to be the platinum standard of evidence. However, I argue that meta-analysis falls far short of that standard. Different meta-analyses (...) of the same evidence can reach contradictory conclusions. Meta-analysis fails to provide objective grounds for intersubjective assessments of hypotheses because numerous decisions must be made when performing a meta-analysis which allow wide latitude for subjective idiosyncrasies to influence its outcome. I end by suggesting that an older tradition of evidence in medicine—the plurality of reasoning strategies appealed to by the epidemiologist Sir Bradford Hill—is a superior strategy for assessing a large volume and diversity of evidence. (shrink)

Xenophanes of Colophon (fl. 530 BC) is widely regarded as the first skeptic in the history of Western philosophy, but the character of his skepticism as expressed in his fragment B 34 has long been a matter of debate. After reviewing the interpretations of B 34 defended by Hermann Fränkel, Bruno Snell, and Sir Karl Popper, I argue that B 34 is best understood in connection with a traditional view of the sources and limits of human understanding. If we hold (...) that mortal beings can achieve certain knowledge only with the assistance of divine powers, while rejecting any possibility of bridging the divine-human gap, a broad skepticism concerning the prospects for human knowledge becomes inevitable. It is therefore of some relevance that Xenophanes repudiated the practice of divination through signs (mantikê) and offered entirely naturalistic explanations of phenomena popularly regarded as indications of the divine will (thunder, lightning, eclipses, rainbows, etc.). (shrink)

Fiction is the favorite of most of the readers. Fiction is the reflection of the societal living and lives of human beings as observed by the writer. The writer also will have individual experiences, ideas, likes, dislikes, philosophy which influence and mold his writings. Fiction is famous as short-fiction and novel. Though fictitious, and also because fictitious, fiction takes possession of minds and hearts of readers more than any other literary genre. Their imaginations sore and they get engrossed in the (...) reading of fiction. Fiction is very good in engaging and passes time to the readers. The scholarship, study, reading, worldly knowledge and observation will make one a good fiction writer. The influence of earlier famous fiction writers will mold the writing of author. I am influenced by stories from the Ramayana and the Mahabharata, Panchatantra, Hitopadesa, Jataka Tales, Somerset Maugham, O. Henry, P.G. Wodehouse, Boris Pasternak, Sir Conon Doyle, Saratchanda Chaterjee, Sripada Subrahmanya Sastry, Satyam Sankarmanchi, mostly and many foreign and Indian fiction-writers. My style of writing is mostly in first person-the aatmaasraya narration. (shrink)

"The Mind is not a Vessel to be Filled but a Fire to be Kindled", and "Education is Not the Filling of Pail But the Lighting of a Fire", and ... Something About a Horse ... You can lead a horse to water, but you can’t make it smile? Because of the long face and all? (No, that can’t be it). Anyway, borrowing a bit from Plutarch and Yeats (maybe, there is no agreement on whether he said that about pails (...) and fires), and some idiom from 12th Century Old English about horses walking on water, I assume, we can glean the following gem: learning requires active participation by learners. It is almost embarrassing to have to write that, but here we are with education today, mostly unloading facts into unlit receptacles. This doesn’t work, and not just because the metaphor is mixed. Genuine learning requires focus, which requires motivation, which is cultivated by interest, which needs curiosity, which is not something teachable through the typical educational curricula. I can, as Aristotle tells us, teach students the basics of some ethical theory, but I cannot make them virtuous. Ah-ha! I can lead a horse to water, but I can’t make it abide by the categorical imperative (No, that’s not quite right. Although it’s true--most horses are utilitarians). One way that seems to work in piquing student interest in learning philosophy is to use humor as you make the case that a philosophical attitude is very similar to a humorous attitude. Both rely heavily on questioning our collective presuppositions, both cultivate rational skepticism, and both are never content with accepting traditions and values that are mindlessly received. I’ve got it now: You can lead a horse to water, but you can’t make it an iconoclast! (still not it). Friedrich Nietzsche published a book in 1889 titled Twilight of the Idols: Or How to Philosophize with a Hammer. This was during his most frenetic and fecund period, just before the syphilis set in rendering him somewhat less than his lauded Ubermensch. The “Idols” for Nietzsche were “false gods” or the ubiquitous errors that philosophy should expose. He is likely borrowing (without citation!) from sir Francis Bacon, whose “idols” are fetishes which can divert us from the pursuit of truth. Learning is hard, but it doesn’t have to be gloomy, hence, I advocate for a different sort of hammer to act as a “tuning-fork” sounding out the hollow and dangerous idols handed down to us that have passed for sagacity. (shrink)

Probably the most famous story about the armchair anthropologist Sir James Frazer is about how, when asked by William James about doing fieldwork, he said, “But Heavens forbid!” I propose that it was rational for Frazer to avoid fieldwork given his theory of what is rational for so-called savages: to kill returning tribesmen and visitors, to protect against disease.

This paper examines the debate between Marilyn Strathern and I.C. Jarvie. Writing in 1987, Strathern argues that the time is ripe for reincorporating Sir James Frazer. Jarvie thinks Strathern does so in a way that treats revolutions in anthropology as not involving scientific progress. There is a familiar defence against this charge while pursuing the same, or much the same, line of argument.

It is discerned what light can bring the recent historical reconstructions of maxwellian optics and electromagnetism unification on the following philosophical/methodological questions. I. Why should one believe that Nature is ultimately simple and that unified theories are more likely to be true? II. What does it mean to say that a theory is unified? III. Why theory unification should be an epistemic virtue? To answer the questions posed genesis and development of Maxwellian electrodynamics are elucidated. It is enunciated that the (...) Maxwellian Revolution is a far more complicated phenomenon than it may be seen in the light of Kuhnian and Lakatosian epistemological models. Correspondingly it is maintained that maxwellian electrodynamics was elaborated in the course of the old pre-maxwellian programmes’ reconciliation: the electrodynamics of Ampére-Weber, the wave theory of Young-Fresnel and Faraday’s programme. To compare the different theoretical schemes springing from the different language games James Maxwell had constructed a peculiar neutral language. Initially it had encompassed the incompressible fluid models; eventually – the vortices ones. The three programmes’ encounter engendered the construction of the hybrid theory at first with an irregular set of theoretical schemes. However, step by step, on revealing and gradual eliminating the contradictions between the programmes involved, the hybrid set is “put into order” (Maxwell’s term). A hierarchy of theoretical schemes starting from ingenious crossbreeds (the displacement current) and up to usual hybrids is set up. After the displacement current construction the interpenetration of the pre-maxwellian programmes begins that marks the commencement of theoretical schemes of optics, electricity and magnetism real unification. Maxwell’s programme surpassed that of Ampére-Weber because it did absorb the ideas of the Ampére-Weber programme, as well as the presuppositions of the programmes of Young-Fresnel and Faraday properly co-ordinating them with each other. But the opposite statement is not true. The Ampére-Weber programme did not assimilate the propositions of the Maxwellian programme. Maxwell’s victory over his rivals became possible because the gist of Maxwell’s unification strategy was formed by Kantian epistemology looked in the light of William Whewell and such representatives of Scottish Enlightenment as Thomas Reid and Sir William Hamilton. Maxwell did put forward as basic synthetic principles the ideas that radically differed from that of Ampére-Weber approach by their open, flexible and contra-ontological, genuinly epistemological, Kantian character. For Maxwell, ether was not the ultimate building block of physical reality, from which all the charges and fields should be constructed. “Action at a distance”, “incompressible fluid”, “molecular vortices”, etc. were contrived analogies for Maxwell, capable only to direct the researcher at the “right” mathematical relations. Key words: J.C. Maxwell, unification of optics and electromagnetism, I. Kant, T. Reid, W. Hamilton . (shrink)

Being in a ‘Blanked Out State’ - Extinction of Self/Consciousness of A Human -/- Author: Ayad Gharbawi 2023 -/- Word Count: 1,088 Key Words: Human Existence; Human Non-existence; Mind; Awareness; Non-awareness; Extinction of Mind, Self and Physicality -/- Dear Sir/Madam; -/- I hope this email finds you well. -/- This paper seeks to prove that in certain mental states, the Mind can be in what we call in the English language, ‘being in a blanked-out state.’ This means the conscious person (...) is not thinking, feeling, sensing, hearing, or smelling anything – his Mind is in a state of Nothingness precisely because he is not acting, reacting or interacting with the Constituents of his own Mind [CoM] or with anything in his surroundings. -/- So, what can say about such an individual? -/- In this manuscript, I will argue that the person in question no longer exists. -/- Why? Because the individual’s Awareness is non-existent. And this is the decisive reason for this phenomenon. -/- Neither his Mind is aware, conscious, alert to anything and nor is his body alert, aware, or sensitive to anything. Therefore, the Mind and the Physicality of the person are extinct. -/- It is no different to being in a coma or a dreamless state. Thus, our lives, and our existence cannot be a linear field precisely because every now and then we cease to ‘exist’, as just explained. -/- It is counterintuitive for people to think that when they blank out for a few moments, they ‘no longer exist’, but in every practical and functional sense, it is true. We like to think we are in ‘control’ of ourselves, our minds, and our bodies, but in truth, that is far from being the case. -/- . (shrink)

Una din cele mai disputate controverse privind prioritatea unor descoperiri științifice este cea privind legea gravitației universale, între Isaac Newton și Robert Hooke. În acest eseu extind o lucrare mai veche pe aceeași temă, ”Isaac Newton vs. Robert Hooke în legea gravitației universale”. Hooke l-a acuzat pe Newton de plagiat, preluându-i ideile exprimate în lucrările anterioare. În această lucrare încerc să arăt, pe baza unor analize anterioare, că ambii oameni de știință au greșit: Robert Hooke pentru că teoria sa nu (...) era în fond decât idei care nu s-ar fi materializat niciodată fără suportul matematic al lui Isaac Newton; iar acesta din urmă a greșit nerecunoscând niciun merit al lui Hooke în elaborarea teoriei gravitației. Mai mult, după moartea lui Hooke și preluarea prezidenției Societății Regale, Newton a înlăturat orice urmă din instituție a fostului președinte, Robert Hooke. De asemenea, La negarea contribuției lui Hooke a contribuit și statutul său social ”inferior”, fiind poreclit de contemporani ”mecanicul”, spre deosebire de Sir Isaac Newton cel nobil. Pentru aceasta detaliez acuzațiile și argumentele fiecăreia dintre părți, și cum a fost percepută această dispută de către contemporanii celor doi. Finalizez lucrarea cu concluziile desprinse din cuprins. (shrink)

In this thesis, I explore themes and concerns that have arisen in my art practice, namely the relationship between landscape, monstrosity, and subjectivity. The tropes scar and form refer to features analogous in the subject and in the land which take on different specific meanings throughout the project, but in general terms, I relate them to trauma as a defining force. I suggest that monsters can be understood as embodying attitudes to time (a cause of trauma): those being fixity, which (...) is resistant to temporality; and flux, which embraces temporality. Consequently, I define these categories and their opposition, presenting arguments for both monsters of fixity and flux monsters. I examine the construction of false universals of ‘England’ (categories of fixity) in representations of landscape and how they come to dominate the picturing of Britain more generally, alongside a mode I refer to as dynamic-fatalism, which examines the polemics and aesthetics of Wyndham Lewis (1882-1957). In this regard, I look at Lewis’s monstrous Tyro and its role in eliciting dehumanisation as a defining value in conceptions of a stratified society. Emphasis on creative practices and representations related to England serve to dissolve ‘proto-fascistic’ fantasies of a heroic, mono-cultural, and pure base for nation, dependent on categories of fixity. I suggest these values are instead understood as patrician, sexist, class-based, and racially biased. Given that landscape constructions are constitutive of our engagement with landscape, I conclude with a proposal for better ‘analogues’ of nature in the form of virescent space (a category of flux). I argue that virescent space is a phenomenon that sees the monster take on a specific role concerning the subject, one I define in relation to a wilderness destination in the poem Sir Gawain and the Green Knight (c.1370). (shrink)

Sir James Frazer’s The Golden Bough presents a puzzle regarding how primitive peoples believe they can control something which civilized people regard as beyond their control: the weather. I clarify the puzzle and consider Frazer’s solution to it, as well as other solutions.